Accurate hit in the characters, contrary to the texture of the actors and our stereotypes. Bold reading of a great novel.
In the track record of the British film director Joe Wright, eight paintings, in the most famous of which are “pride and prejudice” (2005) and “Atonement” (2007) – also played the main roles
1. Theatrically, not literally. The thirtieth (approximately) film adaptation of the railway novel boldly retreated from the text of the book by Leo Tolstoy and – this is the paradox! – turned out to be much closer than other versions to her meaning. The sinful demonic passion of Anna and Vronsky was given to a direct parallel with the well -corner Love Story Kitty and Levin, and which is more important for humanity, is entrusted to the audience himself. The action runs between the theater scene, where in the style of Brecht, Meyerhold and von Trier, key moments of social life are played out https://freespeechapocalypse.com/uncategorized/no-men-in-womens-bathrooms-video-goes-viral/, and natural flooding meadows and snow -capped villages, where the people’s Levinskaya (almost Leninskaya) truth is affirmed. Oddly enough, not the author of the script, playwright-classic Tom Stoppard, but director Joe Wright invented this brilliant concept.
2. Both “Rush” and Russia. Refusing to continue the tradition of the naphthalin-imperial style of previous adaptations, Wright created a special-and enchanting-a world in which it is interesting to plunge. This, of course, is not a canonical Russia of the XIX century, but a certain European Middle -earth. There are Petersburg nobles “About two heads, one-Russian, the other-French,” there the restaurant with gypsies replaced by the Parisian “Foly-Berrier”. The “Russian” music of Dario Marianelli is foster between Tchaikovsky and Legrand and, perhaps, will be worthy of Oscar.
3. Contrary to stereotypes. Asthenic Kira Knightley, bald Jude Law, golden-haired Aaron Taylor-Johnson … And you want to say that these arrogant British are Anna, Karenin and Vronsky?! Three times yes! And these are sniper -sized hits in the characters, as if contrary to the texture of the actors and our stereotypes. Anna at the same time lovely modern, cosmically far from Garbo and Sophie Marso, and from both Tatyans – Samoilova and Drubich.
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